if you were to cut neville watson he would bleed acid house, he would also quite likely knock you flat on your arse for having the temerity to wave a knife at him, but thats a whole other story. for his first wu contribution he ventures down the ethereal proto-house boulevard. jacking 707 patterns, a bouncing juno bassline and outer-space synth lines take you into the upper atmosphere for a glorious airborne joyride. as ever, neville manages to evoke those 85-89 feelings without ever sounding merely retro or like some kind of pastiche, something that many attempt but very few manage to pull off. over on side u apiento, the force behind the magisterially brilliant testpressing website, chips in with a heartfelt homage to the new beat sound. another testimony to the fact that a lower tempo doesnt have to mean diminished energy levels, the orange place simply oozes class from top to bottom. like some lost ancienne belgique classic it pounds and pumps along, building up the tension all the while until the quasi- eastern refrain lets loose half way thru and all of a sudden a mystic portal opens up in the space-time continuum that leads all the way to southwark street in late 87.

nachdem der in berlin lebende grieche argy in diesem jahr unter dem projektnamen zodiac free arts club tief in kosmische kraut-welten eingetaucht ist, bleibt er dem münchner label permanent vacation nun treu. auf der >reminiscence ep< erinnert sich der sonst auf labels wie poker flat oder versatile aktive produzent an die aufbruchstimmung der späten 80er und frühen 90er-jahre. >wish you were here< und >tari tari< klingen so, als wären sie der plattenkiste der ibiza-legende alfredo entnommen worden

the 3rd various artists on ostwind records, >secrets part 3< presents 2 new artists making their debut on ostwind. quinto and jeahmon, introducing themselves with incredibly convincing tracks, were taken into our hearts quickly. attaching utmost importance to sound, feeling and heart, we extend a warm welcome to them. sandru and josh are well-known faces of our house and will complete this vinyl with their unique tunes.

james blake returns to the label that gave him his debut release with two brand new sub heavy club tracks. hemlock were responsible for his air and the lack thereof single back in 2009. neither >order< or >pan< have appeared on blakes soulful, electronic self-titled album from this year, the new material sees the return of blake into the more sparse, experimental and wobbling bass heavy sound of his earlier work

i fight myself to sleep, my eyelids, heartbeats are lead weights of despair and sor-rows. the years disappeared within loneliness. to manage staying alive i keep my visions to myself. you were once my friend, a sinister. the sinister composition was written by par grindvik during 2009 and 2010. writing sinister was part of a healing process. the original sinister was never meant to be released - and it will probably never be. however, in 2010 par came up with the idea of handing out parts from the original, to a few of his friends, and to release different interpretations derived from these parts. the new interpretations would mark the beginning of a new label project cal¬led sinister. next to par’s own rework of the original, you will find the following interpretations. samuel l session (klap klap, music man, soma, be as one), s100 (stockholm ltd), gary beck (minus, soma, saved), staffan linzatti (stockholm ltd, searchlights), jesper dahlbäck (isl, drumcode, h-prod)

no time to rest, here is anandas next on basmati. like his smash single >doppelwhipper< the present tracks for his >live series< were performed live on stage. >hey blop< is a perfect and very playable summertrack while >give me five< shows how percussions should be looped into great techno.

mule music happy to announce the joe claussell remix of kuniyuki >all these things<. we have been waiting almost 4 years…. we have asked him when we were going to make the remix package kuniyuki-remixed. now finally his remix is arrived! joe claussell invited his favorite instrument player and let them re-performance the original version of kuniyuki. the remix is 22min which is composed of 7 parts.the first half is quiet and beautiful,then after the speech of martin luther king during the break,then emotional second half come. we think this great remix is one of the best work of joe claussell. on b side,kuniyuki made self ambient version. the painting of record sleeve is by kuniyuki father! so dont miss this beautiful record.

proper heat slid onto the nangsphere last year with their nifty >we are ready< ep. they certainly were… good reception all around and some fine plaudits. fast forward on 6 months and we are really pleased that the follow up >move ep< hits the streets. proper heat are from lithuania and are made up of martin virgin, saxtone and some fine vocals from karolis ramoska. laid-back, accessible disco house is the order of the day with this ep. we have two finely voiced tracks. dulcet tones and catchy songs abound with karolis doing a fine job in the voice department. lead track >the move” is mid tempo groover. mixes from nang label new-long-found-friend james bright and label stalwart (and supertop photographer) ichisan… you are always a subject when you are in the same room as this guy…. snap snap snap. james grooves it up with tight synthy bass and ichisan gets electronic and rolling. you can check out the video for >the move< on youtube and our home page too. the equally able >get ready< also makes a strerling appearance on the ep. another fine disco groovoid song. all in all the package overflows with extra dubs and instrumentals. bountiful disco abounds.

tuccillo is a rare producer as he lives and works in ibiza all year round rather than flies in for the summer. the white island is without doubt the most overused and abused place on earth for dance music promotion, but beneath the glam superficial surface a real scene of native island talent is emerging. so when it came to making an ep for 2020vision we pushed the artist as far as we felt he could go, to explore new untried directions and show his diversity. tuccillo showed his true spirit and worked though a few knockbacks from our a/r team until we were happy we had the best ep possible at this moment

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business … it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solé, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

remerc is no new face to the scene. he has been active for quite some time in the german techno scene and has recently remixed butchs track >muskatnuss< on the trapez ltd 100 anniversary compilation. he had his breakthrough in 2010 with the track >tiny calf< which ended up on the cocoon compilation >party animals< mixed by marco carola and nick curly. remerc opens his release with >ruhewolf<, a restless funkedelic rocker with a beat that juggles elements in a loose and totally cool way. the track is spiced up with elements of surreal bliss and could go on forever were there not the limitations of the vinyl. on the flipside we find an hanne & lore remix that tightens and fattens up the beat and pimps up the basslines. adding some twisted sounds ... making it a clubber par excellence. >just a bards tale< is a unique remerc track and stands out from all the productions he has done so far. here new wave coloured edgy vocals meet a post-detroit string-chord arrangement. sounds adventurous and daring? well it is to some degree... but recall >no more words< by carl craig from 1991 but executed in a dead modern way.

maria colors celebrates the start of the new vinyl label with an excellent release of the duo taron-trekka who have already gained an impressive following with their records on freude am tanzen and brut!. for maria colors the two are bringing out their deepest deep house: >r.gelb< fuses heavy, powerful basses with an exciting composition while >handson< comes up with a detailed kind of deepness without ignoring stringency. two bombs which were virtually yearning to be released on vinyl.

patrick lindsey is no new comer . active in the techno world since more than a decade , releasing music on labels like terminal m , kanzleramt , kling klong , sci_tec to name a few . so when davide squillace and luca bacchetti received a demo from the german producer , they were really impatient to open the zip file and discover what was inside . the two discovered a four track ep full of analogue synths , organic beats and grooooove . so here is hideout ninth reference : get up and bounce ep by patrick lindsey . it all starts with > what i remember < a very strong anthem with a disco funk loop background and deep vocals by k. mason. the title track > get up and bounce < is next with its hypnotic >get up< voice snipet on top of a shuffled semi acoustic groove full of cow bells and snare drums. third track of the ep is named lockruf , evolving from a jazz sample thru vocal snipets , crazy drum rolls and saxo hooks. the last track of the ep is schleifkraft where a straight to the point chicago groove is topped with some more vocals , a very bouncy bass line and analogue synth sounds . a new reference in the hideout catalogue , four new techno tracks soon to become classics !

if you were waiting for a soulful vocal record with the full power of a peak time club groover its here now! a powerfull vocal gem featuring maiya with her incredible gospel flavoured voice. produced by antony fennel who knows how to get together the voice and the music. and create the perfect record for purple music. including various choices of mixes!

somethinksounds put their name on the map last year with eliphinos wildly successful debut release >the undivided whole< ep. this year the label is back with their second 12inch, >the slow ground< by newcomer, lucky paul. this release is part one of an impressive aural package and comes complete with three remixes, most notably a worldwide exclusive first from g$ vs gold, gadi mizrahi of wolf & lamb and eli gold of soul clap, respectively.

jb aka james braun, creates music as if it were sonic sculptures chiselled with kicks, snares, drums and synth-bass, is back with three new dance floor monuments for you to worship. *a. on massacre jb succeeds in creating a horror universe that can make even the most hardened detroit fan become insecure and frightened when standing alone on the berghain dance floor. but fear not, for its only music and if you flip the record, youll become entranced by the melodic *b1 retrace your steps. a musical odyssey back through time that literally retraces jbs own steps and makes you think about who you are and where you came from. *b2 slapper is musical meditation that yields unbridled joy and chilled out bliss…and makes you send eager kisses towards the sky where the benign, chubby gods of music laugh heartily and scratch their white beards and ample bellies while returning your kisses, mwah!, and uttering you ravey, little rascal! we will provide for you as long as you remember to appreciate us. please enjoy the new record from james braun. tartelet records 2011

if you thought we were spoiling you with the last build release (baobinga & hyetals joint 12, loved and played by pretty much everyone), then you should probably look away now. yep, once again, the game has been upped most thoroughly: build006 sees guido, one of the most original talents to emerge from the fertile bristol scene, team up with genre-blind bass-music badman (and label boss) baobinga, for another collaborative 12&#8243,,, of impeccable quality and taste… and of course, weird artwork.
support from: crookers sinden jackmaster scratcha dva alex nut braiden simbad starkey geiom seb chew shortstuff, brackles, bok bok, hyetal, pinch etc…

dj karotte support !! when benno blome and jens bond were hanging out in bennos studio the other day they suddenly found themselves on the floor looking for their heads. they must have fallen off, while producing some new bond & blome-beats. having found their heads again, and put them back on, they continued, and finally came up with the lose their heads ep. after a couple of 12inches for sender records (tentacular, control your soul) during the past years, they now armed forces to release on senders new sublabel senzen. also thanks to the fantastic remixes from onno and acumen, this whole package is ready to rumble all over the dancefloors of the universe. you can leave your hat on, while you lose your head!.

the berlin-based partnership of long-time friends steve bug and clé has reared many a classy deep house tune in its time… their classic silicon ballet ep from 2007 led us heavily into their sound, combining melodic, blissful elements with the heavy vibes of the old-school acid days. now were due another full ep with seven hills. the title track is a refined, long-playing stormer - perfect for the coming months as the summer weather stirs up open-air fever! from humble beginnings a riotous, epic track grows fusing the poker flat boys patented analog production and natural ear for a melody. heartfelt strings draw the track to its finale as a teasing breakdown arrives around the 6 minute mark. this is a real slow-burner in the best sense of the phrase. the more urgent monkeyshoulder drives a deep blazing night-time vibe all the way home. smooth, filtering chords and spacey stabs swirl in a magical futuristic-yet-classic house jam. simply deadly in the right moment, this bright and dynamic production really does justice to the pairs talents

its just over a year ago that the producer duo dance disorder were celebrating their illustrious bpc debut with the epic italo-dance-inspired hit >zusammen<. now the show must go on - with >metallic italic< georgina fernandez, aka baby g, and robin crafoord are exceeding the path of consistency from the lead out groove of their last record to the point that even crosstown rebels label boss damian lazarus discovered >metallic italic< for his upcoming mix cd >get lost 4<!

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

in all the thea rooms, the meeting centers for alcoholics russians and the blogs of the sapareted nations of the wikirebels were wondering where anton and maxim truly ended up. perhaps non all were aware of wap happened in moscow after the big heat of the summerr 2010. used to the polar cold also the computers ad all the electronic comunications took a moment to reflect, closing, in a natural obligation and right to silent. but this does not apply to scsi-9. the guys have to work with dedication and long care, clear, relaxed. do things well means knowing how to wait, as tasting a fine wine, smooth. in this the cold couple births their new mood in two beautiful tracks and perceives new exchanges of high level with john tejada and pablo bolivar. two thin encouters of arte and culture, where pablo silken and john point- blank reveal a tick record, impeccable. john bounces our breath trough harmonic turns and chorns that transforms the original track in a new roaring engine and well-calibrated, with an unforgettable ending. pablo enters the tunnel of sound to cover/wrap in a soft and comfortable limbo, more visionary than ever. deep that becomes contemporary is ready. only 500 copies distributed on the planet.

deadboys own brand of garage flecked melancholia rocketed out of the stables on the single sided >if u want me<, our very first release in early 2010, and the brighton based producer hasnt let up since, remixing artists like cassie, jamie woon and romy xxs creep.

in 2010, when we started to revitalise the tresor label, we reached out to some of the greatest artists, not just in tresors history, but in techno. late 2010 we sat down in a paris cafe, just off the pompidou centre, with jeff mills, on a rainy, otherwise unremarkable and miserable day. but on this day we were given two very strong pieces of advice. >hire a fanastic a&r and sign sleeparchive<. so here we are, an artist that has been on the underground radar of the hacker, miss kittin and richie hawtin makes his debut on tresor records with >ronan point<. >the tracks developed from parts and loops i had created for my live set and always wanted to make tracks from. after a little break i took with the sleeparchive project the record for tresor was a great opportunity to make these tracks.< sleeparchives live sets have graced the dance floors and sound systems of berghain, arena club and bloc weekend, so it is fair to say that the 4 tracks that make up ?ronan point are not just tried and tested, but actually born on the dance floor. >> press: dj magazine techno single of the month.

vinyl edition to the fania release! stock will be very limited!the project is a marriage between old and new,a fresh take on classic sounds from the fania archives.late last year, fania records hand-delivered the original multi-tracks in a battered cardboard box to joe claussells nyc studio.each track was approached and assembled differently, each on its own terms. as joe says,some songs were edited,some were time-stretched many parts were re-recorded some new parts were recorded on top.the first disc features nine classic fania tunes from lou perez, celia cruz,eddie palmieri, ray barretto and more,all re-worked with the joe claussell touch!

the art of acid is an exclusive set of bonus re-edits of classic house tracks rubbed down by a veritable who is who of dance music new and old, part 2 includes edits and re-works from ashley beedle, rub n tug, dusty kid and boys noize. collecting together the cream of early acid house tracks from the traxlabel (out of chicago) that were central to the formation of dance culture as we know it today, >the art of acid<, is a blistering tribute to the last great cultural revolution of the 20th century.

summer 2010. neuland. here, we were met schieres and his machines. lovely. this ep is dedicated to neuland and zucker. we love you – we miss you – we will miss you. dont think about what you have lost. warm nights, between burning couches and nothingness. empty ideas were born. we are lost and people are sure to forget.

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

at fatcat we are as excited about new signings psychedelic horseshit as we were on landing animal collective and black dice 8 years back, and believe they re a similarly vital band - pushing boundaries and creating something thrilling and unique. having avidly followed the band’s outpourings over the past few years, we can now announce psychedelic horseshit s label debut. previously appearing on hip us indies woodsist and siltbreeze, their second proper full-length marks a major shift, upgrading their sound and delivering a coherent set of bustling, uptempo, hook-laden, melted outsider pop songs.
comes with code for free digital download of this album.

after his successful digital releases and collaboration with sweet n candy on meleon which were played by many great djs arround the world, comes now michael knop with his debut vinyl >to prove elusive< on meleon music! including huge remixes by andy kohlmann and beatamines!
supported by: luciano, bukaddor and fishbeck, rene bourgeois, gel abril, m ferry, gurtz, kolombo, paco osuna, edgar de ramon ...

exploited serve an ace from consistent, a group of well known producers working under the cloak of anonymity. previously having released on frontroom and boe with remixes for tartelet and man recordings, consistents track >feeling high< dices vocals and disco vibes into a house heavyweight something like hot city meets soundhack, coming with certified anthem status. get involved for the polished berlin-meets-chicago modernism thatll get you sweaty as a taxi drivers neck in july. its difficult to say whether this is tech house or deep house, strictly speaking, but either way the title track bumps. it funks and, although were told it comes from berlin, its damned chicago. this is the 2nd single from consistent (remember aint no bump?) on exploited. early support by kink (rush hour), optimo (jd twitch), laurent garnier (f-com), dj t (get physical), dj hell (gigolo), erol alkan (phantasy), brodinski (turbo), feadz (ed banger), round table knights (made to play), ian pooley robert dietz (cecille), till von sein (suol), adam port (liebe*detail), lee jones (watergate), stuffa (trunkfunk), mosca (nightslugs), lazer sword (stonesthrow/numbers), pezzner (freerange/om), acidpauli (console/notwist), jamie anderson (artform)

number 1 in a series of 3 eps unraveling unreleased classic house tracks by stefan goldmann. victoriaville continues its research into stefan goldmanns sweet back catalogue with the world premiere of a triple vinyl series of never before released house material. revisiting the years 2000 - 2005, emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic, ovum and front room reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, heres some startling evidence of how deep the roots of house actually were in berlin years before the still ongoing hype set in. >cirque mecanique< is a throbbing groove work out with a dark edge, while >warm rush< brings sweet & pure deepness. >true dub< is an unreleased alternative version to 2002s >true< single - no vocals, just bass. enjoy and look out for parts 2 & 3!

arma17 is the leading russian underground venue, the only russian club properly represented on the international scene. since it was launched in april 2008, located in a 150+ years old building, packed with funktion one sound - arma17 became permanent home for all major international labels and artists: ricardo villalobos, loco dice, luciano, sven vath, magda, james holden, rhadoo, pedro, raresh, dj hell, ivan smagghe, seth troxler, marco carola, cassy, mathias tanzmann and hundreds more. as a new stage of its development arma17 is a launching a record label with a goal to provide to the best russian producers (which started to rise in a recent years) unique opportunity to enter international market and to introduce new cool russian sound to international audience. we will also public unique productions which were done by the international artists, which are most closely connected to arma17 club. first release contains 7 new tracks from such international artists as: bruno pronsato, dop, piticu (romania) and following producers from russia: anton zap, easy changes, andrey zots, vakula.

after the great success of the .rst vinyl cosmic cowboys are proud to introduce you back and forths new project >stolen reality / i promised you a ballad< signed by two awesome artists as the german elef and the italian ues. with works on labels as dirt crew, fresh meat and consistent, elef established himself as one of the new talent of the european scene thanks to his particular sound that mix the old-school house tradition with orginality and lot of character creating a perfect mix that youll surely feel on his >stolen reality< as remixer were really proud to welcome the parsian varoslav (supplement facts) that reshapes the original mix into an amazing hypnotic version in that unique way he got know for! absolument formidable! on the b-side here comes ues, one of the greatest italian producers and dj, well known all over europe thanks to his productions on prestigious imprints as resopal, blabla, robsoul and exprezoo just to name a few providing an icredible track full of emotion as the title will suggest you. >i promised you a ballad< is definitely the perfect sentence to describe this jewel of the contemporary house music that could just leave the listener speachless. together with the original mix on this side comes the remix of the danish mathias mesteno (upon.you) designing a fantastic groovy club edit that youll look forward to play.

five pals from leeds, england, who play scruffy but energetic rock & roll with no shortage of swagger, the pigeon detectives formed in 2002, but the group s members — matt bowman on lead vocals, oliver main and ryan wilson on guitars, dave best on bass, and jimmi naylor on drums — were mates from school and had known one another since they were 12.

when we heard pompeya for the first time and were told they were from moscow, we were like: - what!? are you kidding? this is probably the first russian band singing in english with such a classy brit touch and male vocal being very strong and sophisticated at the same time. they jestingly describe their style as >melodramatic popular song< and >cheenese< is indeed a very dramatic piece with simple yet powerful composition and lyrics that really make big sense. the original is very well supported by a bunch of remixes each of which is unique on its own. an-2 & samos come with a warm, relaxed and funky instrumental version which is followed by a blockbuster mix from moscow disquo maestro leonid lipelis (an entirely perfect dance version of the original that could ever exist) and finally, for those few sirs and mesdames who are not yet aesthetically satisfied and who still find themselves seated while others jump and shout, here come d-pulse with their paranoid mix that gathers the thunderclouds to the full darkness and - at the end - lets the revival sunbeams break through.

from eddie ks roots making drum & bass for the stereotype label and minus relative newcoming to the world of bass-led music, this duo were responsible for one of the biggest dubstep smashers of 2010, >serial killa<. continuing on this fruitful collaboration, this is the latest offering from the pair who have had their track played on the biggest, baddest systems across the world sincelast summer.

supported by: pol_on, deetron, moodymanc, maya jane coles, kris wadsworth, ethyl, el txef a, james teej, and some other nice lads. londoner huxley has been one of the names to watch over the past year after the success of his and ethyls releases on tsuba and cecille. these were closely followed by releases on kolour and fear of flying and remixes for the likes of sasse, lee burridge and andre crom. huxley returns here with some proper house music. the lead track, devoted, effortlessly blends the old and new, while the two b side tracks show that huxley is anything but a one trick pony. perception of truth shows his techier side, whilst linked out shows his affinity to raw, analogue house music

yes borique tribez back in da house selecting the freshest techno beats for his basics imprint! gueststar david moleon got the chance to take his favourite tracks by kobaya and turned them into his style. original were killers, but these two fine gems here a masterblasters! big from start till end and will turn more heads than kate and will.

big with: koze, adam port, alejandro mosso, mandy, anthony collins, sebo k, troy pierce, arnaud le texier, rozzo, axel bartsch, benno blohme, cesare vs disorder, dubfire, gel abril, james teej, jimpster, julietta, kabale & liebe, mark henning, meat, .. for this 3rd release, raoul records brings us some very personal stuff from no other than the label s founder himself: gregorythme. two long tunes in which he shows us that there are no limits as to how far he can go with hypnotic synthesizers and reduced rhythms. the a-side brainstorming features very rich house tunes with a mental twist. it s a track with a big, edgy potential on the dance floor. one part old school, one part avant-garde - this recipe is sure to create confusion on the dance floor and make a little storm in house music lovers brains. the b-side is almost a love song! a hypnotic and melodic tune. gregorythmes juno does its best to give you the shivers. the track is called some more and that is precisely what you will be asking for after you have heard the song... who said 10 minutes were long enough?

your horoscope : dumb-unit merges with 2011 preparing a new outlook and attitude of strong singles for global consumption. the first: a winning combination from walker and agaric. your moods will be exaggerated as long time friends short time studio partners win hearts and minds. stay positive! previous sonic excursions were only a test. the duo now present their new works. listeners world-wide should expect strong hi hats, low rumbles mixed with smart moving percussion. although fantasy themes abound, the narrative is firmly rooted on the dance floor. check attitudes at the door: the uncertain age of irony will be fixed with the proven track record. ... happy lucky golden dragon double 8 good time!

we all knew very well that we had reached a point of no return. there was no need to talk about it. and although there was hardly enough time for us to reflect on our shared experiences, we were sure that everything was going to be alright. all four of us were sitting there, facing each other, sad, yet full of confidence. never again we would allow any meatball to bully us around. we have had enough of this useless on and off, and of all this stupid jobs of even more stupid users. from now on, we will programme our chips ourselves. >go to hell! no one will ever touch my board again! in the future, i will solder it myself, and the way i want it to! robotica, here we come!<

this is the second single release from hardfloors last album >two guys three boxes<. after the highly acclaimed >texas trill remixes< in 2008, e.r.p. (aka convextion aka gerard hanson from dallas/texas) returns withan epic collaboration that gravitates... theres a dynamik bass system remix to round up the package. thomas werner (from munich) had his debut 1998 on international deejay gigolo records. after >dont stop compute< on lone records 2004 and >robotmachine< on monotone he released 2008 his longplayer >the mighty machine< on dominace electricity. latest attention came from his project >heliopause< (a collabo with detroits aux 88) on his new imprint robotmachine records. the vocals on his remix were performed by dj maaco from detroit in effect.

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

m=minmal continues the collaboration with electronic music legend conrad schnitzler. we are happy, after 30 years, to re-release one of the key works from conrads large adventurous backcatalog. >ballet statique< is not only a musical milestone but also a highlight of music production. it was recorded in 1978 at the legendary paragon studio / berlin by peter baumann - tangerine dream in the same period when other masterworks like cluster - >großes wasser< and solo recordings of roedelius and asmus tietchens were recorded. >ballet statique< was first released on the legendary french label egg. this albums is a must have not only for fans of the emeralds and oneohtrix point never.

we are sure max cooper does not refer here to one of traum boss triple rs favourite writer thomas pynchon but rather connects here to the technical terminus of the parabolic trajectory often mentioned as rainbow-shaped. nevertheless we wish to express that the transgressive quality of max music, does it question or break down the boundaries and categories of western culture and reason, is a challenge we have at traum always aimed at, with tracks that were very far away from the norm in the same way as maxs tracks are.

the fifth neurhythmics release is a compilation of befriended artists, and this is reflected by the different interpretations of the individuals to what the labels sound is about. juergen provides the a-side with >common sense< a vocal-snippet driven house-track, that once again underpins his sound-aesthetics of having it sound live and mixed on the fly, straight out of the machine. the flip-side could not start off any better. quite possibly a future classic, >signature< by mike binary, has soul and emotion literally squeezed in between each of the effortlessly programmed beats, and has become one the favourite tracks at the neurhythmics hq to ever been put on the label. last but not least, >no other< by the dirty soul project (you will know these guys, but we were sworn to secrecy) firmly pulls the hand brake and slows things down to just over 110 bpm. this doesnt mean that this very hypnotic number isnt going to work in the early morning slots…au contraire, actually...